Tag Archives: online

Parish Registers for Westminster

This is a little guide to the parish registers of baptisms, marriages and burials held at City of Westminster Archives Centre.  On our website under “Researching your family history at the Archives Centre” you can find a list of our Information Sheets and other useful information.

Information Sheet 1 lists the registers we have for Anglican Churches in Westminster. Most of these are available to view on microfilm (for reasons of conservation) in our Searchroom, but they have also been digitised and are available to search and view online on the Findmypast website.
Registers for the Anglican churches in Marylebone and Paddington are available to view on microfilm copies here and on the Ancestry website because the original registers for these are at the London Metropolitan Archives.

Both Findmypast and Ancestry are available on the public computers in all Westminster libraries and on Wifi to users in libraries with laptops.  More detailed indexes to our holdings can be found in the Archives Searchroom.

The earliest registers date back to Henry VIII and the establishing of the Church of England. Thomas Cromwell issued an order to every parson, vicar or curate to register every wedding, christening and burial within their parish in 1538.

Title page of our earliest register for St Clement Danes 1558. Image property of Westminster City Archives.

Title page of our earliest register for St Clement Danes 1558, volume 1. Image property of Westminster City Archives.

The oldest registers for Westminster are for St Margaret, Westminster starting from 1539 followed by St Martin in the Fields 1551 and St Clement Danes and St Mary le Strand in 1558.

Baptism entry for Robert Cicil (Robert Cecil, Statesman), 6 June 1563. Image property of Westminster City Archives.

Baptism entry for Robert Cicil (Robert Cecil, Statesman), 6 June 1563. Image property of Westminster City Archives.

In 1597 paper registers were found to be deteriorating.  An order was issued for them to be on parchment or vellum.  Old register were to be copied from at least 1558. There was also an order for a second copy to be made and sent to diocese and these are known as the Bishop’s Transcripts.  This was to prevent the temptation of later tampering of the registers.  You can find these copies for Westminster registers on the Ancestry website taken from the copies sent to the Bishop of London.

Burial entry for Elinor Gwin (Nell Gwyn), 17 November 1687. Image property of Westminster City Archives.

Burial entry for Elinor Gwin (Nell Gwyn), St Martin in the Fields, 17 November 1687, volume 17. Image property of Westminster City Archives.

The years 1642 – 1653 are sometimes known as the civil war gaps due to the upheaval of the monarchy. From 1653 a civil register was introduced which reverted back to the clergy when the monarchy was reintroduced in 1660. Another important date to point out is 1752 when the calendar changed. Before this date the year started on Lady’s Day, 25 March.

Marriage entry for Percy Busshe Shelly, 24 March 1814. Image property of Westminster City Archives.

Marriage entry for Percy Busshe Shelly, 24 March 1814, from St George, Hanover Square, volume 23, showing an example of a marriage entry before introduction of civil registration. Image property of Westminster City Archives.

The Hardwicke Act for marriages was introduced from 1754. Marriages had to be registered in a separate register to baptisms and burials, before this one register could contain all three. It was also expected to eliminate clandestine and irregular ceremonies; only Jews and Quakers were exempt.  All others including Catholic were supposed to take place in licenced Anglican churches and printed paper registers were introduced. You could marry by Banns or Licence and needed the marks or signatures of two witnesses.

An example of a baptism entry page from St James, Piccadilly, showing the printed paper registers used after 1813. Image property of Westminster City Archives.

An example of a baptism entry page from St James, Piccadilly, showing the printed paper registers used after 1813. Image property of Westminster City Archives.

Rose’s Act was passed in 1812 and introduced printed standardised registers for baptisms and burials.

An example of a burial entry page after Rose’s act of 1813 from St Martin in the Fields. Image property of Westminster City Archives.

An example of a burial entry page after Rose’s act of 1813 from St Martin in the Fields. Image property of Westminster City Archives.

From 1 July 1837 the civil registration for births, marriages and death starts in England and Wales.

Marriage entry for Theodore Roosevelt, 2 December 1886. Image property of Westminster City Archives.

Marriage entry for Theodore Roosevelt, 2 December 1886, St George, Hanover Square, volume 85 (after civil registration). Image property of Westminster City Archives.

Parish registers still continues. The marriage entry in the parish register does correspond to the same format as the General Register Office certificate, but the parish register will have the original signatures of the groom, bride and witnesses, if they could write their own names.

[Cecilia]

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A Blue Plaque for a Marylebone Punk Rocker

Marylebone is not lacking in blue plaques recording the former residences of the great – and not-so-great – local residents. Several examples have been the subject of previous blog posts. The official plaques were erected formally first by the London County Council / Greater London Council and are currently administered by English Heritage.

Blue plaque for Joe Strummer

English Heritage’s selection criteria include a minimum time frame of 22 years between the subject’s death and an erection of a commemorative plaque. December 2016 saw an unofficial blue plaque erected to Joe Strummer of influential punk band The Clash. Strummer died in 2002 and thus fails the formal selection criteria. Nonetheless, a ceremony was held at the Seymour Housing Co-op building (33 Daventry Street NW1, between Lisson Grove and Edgware Road). In nearby Bell Street, Malcolm McLaren and two of the Sex Pistols were also residents in this period. This is the second public commemoration to Joe Strummer in the area. The pedestrian subway linking the two halves of Edgware Road, bisected by Harrow Road, is named the Joe Strummer Subway. Fittingly above this junction and subway soars the elevated Westway, an major inspiration for the band.

Joe Strummer's entry in the ODNBJoe Strummer has also made it into the Oxford Dictionary of National Biography (log in with your library card). Other resources one can use for research into his life and the band’s significance in music history are the several newspaper and magazine archives which can also be accessed free online with a Westminster Libraries membership. Those readers who were around in the late 1970s will remember the moral panic that bands such as The Clash and the Sex Pistols generated and this is reflected in many newspaper articles. I found an interesting slant upon the punk rock phenomenon in an Economist article entitled More money than music in nihilism, (June 11, 1977, page 22).

Away from these contemporary reports Westminster Libraries hold a number of books relating to The Clash and the punk rock phenomenon:

Punk rock so what?by Roger SabinRedemption song: the definitive biography of Joe Strummer by Chris SalewiczJoe Strummer and the legend of the Clash by Kris Needs

[Francis]

How Westminster Libraries’ resources helped me to trace an elusive artist

'A view from the artist’s studio', print by Jessie Beswick

‘A view from the artist’s studio’ by Jessie Beswick

Recently I found this engraving in a junk shop. The print was crudely held in place with a sheet of cardboard and peeling masking tape. The frame was immediately recycled, the backing replaced with acid free mount board. However I must thank the anonymous framer for their work in keeping the print in its frame but also more importantly for scrawling in ballpoint ink biographical and geographical information about this print titled ‘A view from the artist’s studio’.

The writer also stated that the artist – Jessie Beswick – was a sister of their grandfather. Without this information this would have simply been a pleasing anonymous town view from a window.

Not so useful was the difficult handwriting which made interpretation difficult. Luckily from this text there was no ambiguity in interpreting the picture’s location, King Street Chester. What were more problematical to read were the artist’s maiden and married surnames which meant using possible name variations in any search for this artist!

With no stated date on the print it was not a just a case of Googling a name and finding her. Even if I was confident with the surname spelling of Beswick I found a number of alternative individuals with this name. I suspected that ‘my’ artist was active before 1945, on the basis that the writer was two generations younger than the artist and had written the information relatively recently – ballpoint pens did not come into mass use until the late 1950s. Another fact which proved to be a red herring in an initial search for her in Chester Street directories (located in the City of London’s Guildhall Library) was to assume that the King Street studio was her residence. In fact it turned out from census and other evidence that Jessie Beswick resided at other addresses in Chester.

It was time to bite the bullet and use Westminster’s ‘In House’ online resources for family history, Ancestry and Find My Past.

Having two surnames to deal with, I first checked marriage records using Find My Past. Success: after several false hits I found the marriage of Jessie Beswick to Walter W White (Walmsley-White) in Chester in 1914. The record usefully included her parents’ names and her age, thus narrowing down by date any census searches for further information. The 1901 census found her, aged 15, residing at her parents’ house. The 1911 census entry usefully reminded me that the census is a record of household occupation on a specific night which is not necessarily the home address. A Jessie Beswick was staying with friends in Lancashire but I am convinced that this is the same person as her occupation is listed as an artist and the birth year and place of birth matches the previous census entry.

I have mentioned my problem of reading original handwriting. Transcribed entries from the census enumerator returns can also provide evidence of transcription errors. Jessie’s name had been transcribed as ‘Lessie’ in Ancestry’s 1891 census entry for the Beswick household.

Find My Past also has a useful facility to search selected local newspapers. An October 1915 issue of the Exeter and Plymouth Gazette reports on a local art exhibition which was

“strengthened by the contributions of some new members, and a new feature is collection of etchings by … Jessie Beswick (Mrs. Walmsley White), the latter lady being also represented in the oils section by two excellent studies of Brittany”.

Confirmation of the move was found when I used print resources at Westminster Reference Library’s Art & Design Collection. Post 1914 entries all list Jessie Walmsley White with a Devon address and prior to marriage her maiden name together with a Chester address. With this information it is reasonable to date this print between 1900 and 1914.

Royal Academy Exhibitors, 1905-1970The first resource I used was Royal Academy exhibitors, 1905-1970: a dictionary of artists and their work in the Summer Exhibitions
Vol. 6: SHERR-ZUL. 

This dictionary revealed that she had paintings exhibited in three separate exhibitions. Unfortunately the dictionary does not include illustrations but listed the botanical subjects of these works.

On a previous visit to Westminster Reference Library I had noticed a long run of annual directories: The Year’s Art: a concise epitome of all matters relating to the arts of painting, sculpture, engraving and architecture. 

The Year's Art, volumes 1908 - 1913

The Year's Art, 1915At that point I had not discovered her birth date and confirmation of her surnames, so I hadn’t plunged in with a systematic search of these volumes. Now, armed with this information, I returned to consult this series. Her first entry occurs in the 1909 edition. Usefully, an artist’s entry includes their home address together with the location of any exhibited work in public galleries. Her address details from the 1915 edition confirm the permanent move to Devon.

Find My Past was also used to find her death record. Luckily my assumption that she had remained in Devon was correct and I found her death record. Jessie died in 1961 aged 75.

Having tracked down this artist my next quest is to find further examples of her work, either in a gallery or improbably lurking in another junk shop.

[Francis]

The Silvertown Explosion

London's disasters, by John WithingtonWe live in a time of international terrorism. London is seen as a prime target and is on high alert for such an attack. There have been attacks and bombings in London before of course, especially during the IRA ‘Troubles’.

But it was one hundred years ago on Friday 19 January 1917 when occurred London’s largest ever loss of life through explosion. However, this was not due to enemy action, even though it took place during a World War – it was home grown and totally avoidable.

One of the main industries in Silvertown at the time was the Brunner Mond chemical factory, which produced soda crystals and caustic soda. However the caustic soda plant had been closed down in 1912 and was standing idle. In 1915, this was “practically requisitioned” by the Government agency, the Explosives Supply Department who wanted to use it to purify the explosive trinitrotoluene (TNT) for use in ammunition. This was despite the fact that the plant was located in a heavily populated area, which also had other volatile chemical and refining industries, a point stressed by the Brunner Mond directors who were opposed to the plans. The government thought that the production of TNT was safe as long as the purification process (to be undertaken here) was kept separate from the manufacture of raw TNT. Consequently the processes did not have to comply with the regulations of the 1875 Explosives Act.

Production started in September 1915 on a 24-hour basis, employing three shifts. The protracted battles of trench warfare were consuming vast quantities of ammunition (and lives), while making little tactical advance.

Silvertown Explosion Memorial, near Pontoon Dock station.

The memorial to the Silvertown explosion. This is located below the Docklands Light Railway near Pontoon Dock station.

On the night of 19 January 1917, the inevitable happened and there was an explosion at 6.52 pm. It is believed that this was caused by a fire in the melt pot room. The reason for the fire breaking out was not established, as the witnesses who raised the alarm were killed in the explosion. It should not have been unexpected though. Only in the previous month, the plant had been visited by a government inspector, whose report stated that

“It is perfectly clear that the management at Silvertown did not pay sufficient attention to the explosion risk attached to the handling of TNT.”

In particular he reported that there were no precautions in place against friction sparks. The explosion was so severe that it destroyed the factory, other local factories, the local fire station (which was opposite the factory and had only opened in 1914) and damaged thousands of homes. The explosion could be heard 100 miles away. Sixty-nine people were killed in the explosion with four more subsequently dying from their injuries. Another ninety-eight people were seriously injured and more than nine hundred suffered minor injuries.

Plaque, Postman's Park, City of London

A plaque in Postman’s Park in the City of London commemorates a policeman who was on duty outside the factory when the fire broke out. He stayed at his post to warn people of the dangers of explosion, but later lost his life in hospital from the injuries he received.

The loss of life in the Silvertown disaster would be treated as a major scandal today, but unfortunately then it was just another statistic among the countless lives lost already in the Great War and those still to die before peace came in 1918. With no radio, television, internet or social media in those days, it was far easier for the government to conceal bad news. There was postal and press censorship, designed to prevent contact with the enemy and to ensure that the conflict was presented to the public in a pro-Allied light.

This censorship is illustrated by using the usual research routes. To see how news was reported at the time of an event, one can search newspaper archives such as the Times Digital Archive (log in with your library card number). However, searching for Silvertown explosion or Silvertown disaster brings no results.  Neither does a similar search in The Illustrated London News. Even searching Gale News Vault for Silvertown 1917 only brings up an article in The Times from 1925, appealing for funds to rebuild St. Barnabas Church which had been destroyed in the explosion.

Searching the Times Digital Archive by date, on 20 February there is only a brief one line report that

“there had been an explosion in a munitions factory near London, and that considerable loss of life and damage to property were feared.”

A fuller report is given on Monday 22 February (on page 9) but again it refers to ‘The explosion near London’ and does not state the actual location or name of the factory concerned. There are no illustrations. It is interesting to note though, that while there is some ‘positive spin’ in the reporting the paper does make some critical comments about the slack enforcement of safety regulations by the authorities.

The dearth of contemporary reports, while interesting from an historical point of view, means that we have to look elsewhere for more information. One book that contains quite a bit about the explosion is London’s Disasters: from Boudicca to the banking crisis, by John Withington (pictured above), available from your library.

[Malcolm]

Interesting times (2)

December 2016 version of Sgt Pepper cover, by Chris Barker There’s an ancient Chinese curse or proverb: “May you live in interesting times…”

Well, there isn’t actually (it dates all the way back to the politician Austen Chamberlain in 1936) but I think we can all agree that 2016 has been… interesting!
Most of us would probably wish that 2017 is a little less so.

While Westminster Libraries can’t promise world peace or political stability, we can promise you some interesting anniversaries and the resources for interested people to carry out further research.

January

The year kicks off in January with the 75th anniversary of Desert Island Discs, which was first broadcast on 29 January 1942. It continues to this day with guests (rather tweely known as ‘castaways’) being asked to discuss the eight pieces of music they would take to a desert island. Later on, guests were allowed to choose a book and a luxury too. The first castaway was the ‘comedian, lightning club manipulator, violinist and comedy trick cyclist’, Vic Oliver. Oliver was not only a major star on the radio but also the son-in-law of Winston Churchill (something Churchill wasn’t too thrilled about, though Oliver never traded on the relationship). Though this episode doesn’t survive in the BBC archives, many hundreds of others do and  are available to listen online or download as podcasts. The earliest surviving episode has the actress Margaret Lockwood as a guest and other castaways include seven prime ministers, dozens of Oscar winners, a bunch of Olympic medallists, a few Royals and several criminals.

February

19 February brings the 300th anniversary of the birth of the actor, playwright and theatre manager David Garrick. Though he was a native of Lichfield (and former pupil of another Lichfield resident-turned-London-devotee, Samuel Johnson) by the age of 23, Garrick was acclaimed as the greatest actor on the English stage. He was a noted playwright but most famous for his Shakespearean roles – though he was not averse to ‘improving’ on the text – his adaptations included a Hamlet without the funeral of Ophelia and the need for the gravediggers, a ‘King Lear’ without the Fool and a Cordelia who lives on, an interpolated dying speech for Macbeth and a scene between the two lovers in the tomb before they die in ‘Romeo and Juliet’. Be honest – who wouldn’t want to see those? He ran the Theatre Royal, Drury Lane for nearly 30 years and he is now commemorated by a theatre and a pub (with Charing Cross Library neatly sandwiched in between).

March

1717 wasn’t just a significant year in the history of ‘legitimate’ theatre. 2 March that year saw the first performance (at the Theatre Royal, Drury Lane)  of The Loves of Mars and Venus by John Weaver, generally regarded as the  first ballet performed in Britain. While there had been English masques and French ballets before this, Weaver was the first person to tell a story through the medium of dance without the need for songs or dialogue. Weaver was the son of the dancing master at Shrewsbury School (public school curricula must have been rather different in the 1600s).

Mrs Hester BoothIn 1703 he had staged (at Drury Lane) a performance called The Tavern Bilkers, usually regarded as the first English pantomime (he described it as “the first entertainment that appeared on the English Stage, where the Representation and Story was carried on by Dancing Action and Motion only”) but it was The Loves of Mars and Venus (the choreography of which survives) which established Weaver as the major figure in English dance until the twentieth century. Venus was played by Hester Santlow (shown dressed as a harlequin), one of the leading ballerinas of the day, who created many roles for Weaver.

April

Readers of a certain age will remember adverts for Memorex tapes (other brands are available) in which a singer shattered a glass with a high note and the trick was repeated when the tape was played back. Depending on exactly how certain your age is, you may have identified the singer as the great Ella Fitzgerald whose centenary is commemorated on 25 April 2017.

Growing up in a poor district of New York and orphaned in her early teens, Ella spent time in a reformatory but soon escaped and began to enter show business via talent competitions and amateur nights, becoming an established band singer. At the age of 21 she recorded a version of the children’s nursery rhyme A Tisket A Tasket which went on to sell over a million copies. She went on to become one of the greatest of all jazz singers, developing her own idiosyncratic style of ‘scat singing’. All through her career she fought prejudice, refusing to accept any discrimination in hotels and concert venues even when such treatment was  standard in the Southern USA.

You can listen to some of her greatest recordings via the Naxos Music Library and learn more about her career in Oxford Music Online (log in to each with your Westminster library card number).

May

May Day has long been a festival associated with dancing and celebration and more recently with political demonstrations. But 1 May 1517 has become known as Evil May Day. Tensions between native Londoners and foreigners lead one John Lincoln to persuade Dr Bell, the vicar of St Mary’s, Spitalfields to preach against incomers and to call upon “Englishmen to cherish and defend themselves, and to hurt and grieve aliens for the common weal.”. Even though the Under-Sherriff of London (none other than Sir Thomas More)  patrolled the streets, a riot broke out when they tried to arrest an apprentice for breaking the curfew. Soon afterwards, a crowd of young men began to attack foreigners and burn their houses. The rioting continued throughout May Day – fortunately, while some houses were burned down there were no fatalities. More than a thousand soldiers were needed to put down the riot. Lincoln and the other leaders were executed, but most were spared at the instigation of Cardinal Wolsey, who according to Edward Hall

‘fell on his knees and begged the king to show compassion while the prisoners themselves called out “Mercy, Mercy!” Eventually the king relented and granted them pardon. At which point they cast off their halters and “jumped for joy”.’

Sadly this was not the last outburst of anti-foreign feeling in London’s history but such incidents are thankfully rare.

June

Harry Potter and the Philosopher’s Stone by JK RowlingA happier event took place on 30 June 1997 with the publication of Harry Potter and the Philosopher’s Stone by JK Rowling.  It’s hard to remember a time when we didn’t all wish we’d received our letter to Hogwarts instead of going to a boring Muggle school.

But we all know about Harry so let’s move on.

July

To 12 July and first documented ride, in 1817, of the ‘dandy horse’ or ‘running machine’ or, to you and me, a bicycle without chains or pedals. This was the first means of transport to make use of the two-wheel principle and the creator was Baron Karl Drais , perhaps the most successful inventor you’ve never heard of, and he managed an impressive 10 miles in an hour. While it looks pretty clunky by today’s standards, Drais was inspired by the Year without a Summer of 1816 when crops failed and there weren’t enough oats to feed horses.

Dandy horse

Readers of Georgette Heyer’s Regency romances may remember thar Jessamy in Frederica was very proud of his skill with the ‘pedestrian curricle’. The Observer newspaper was enthralled by the invention of  ‘the velocipede or swift walker’ claiming in 1819 that, on a descent, ‘it equalled a horse at full-speed’ and suggesting that

‘on the  pavements of the Metropolis it might be impelled with great velocity, but this is forbidden. One conviction, under Mr Taylor’s Paving Act, took place on Tuesday. The individual was fined 2/-.’

When he wasn’t inventing bicycles Karl Drais was making an early typewriter, a haybox cooker and a meat grinder.

And on 27 July 1967, we note the 50th anniversary of the decriminalistion of homosexuality.  This will be celebrated with many events throughout the year such as this one at Benjamin Britten’s home and others at various National Trust properties.

August

Most of us can probably remember what we were doing on 31 August 1997 when we heard of the death of Diana, Princess of Wales and she will be on many people’s minds as the 20th anniversary of this event approaches.

A slightly more auspicious event took place on 17 August 1917, when the two war poets Wilfred Owen and Siegfried Sassoon met at the Craiglockhart War Hospital, an event written about by Pat Barker in her novel Regeneration, as well as Stephen Macdonald’s play Not about Heroes. Owen wrote two of his most beloved poems – Dulce Et Decorum Est and Anthem for Doomed Youth while he was in hospital (he also edited The Hydra, the patients’ magazine) and was tragically killed the following year at the very end of the war. Sassoon survived the war and wrote about his hospital experiences in the autobiographical novel Sherston’s Progress. You can read more about the lives of Owen, Sassoon and the other war poets in the Oxford Dictionary of National Biography (log in with your library card).

Wilfred Owen 

September

Another literary anniversary is upon us on 21 September, when we note the publication of one of the bestselling fantasy books of all time – The Hobbit by JRR Tolkien, about a small, shy creature who becomes involved in a quest for a dragon’s hoard. It was offered first to the publisher Stanley Unwin who asked his 10 year old son Raynor to review it for him,

Bilbo Baggins was a Hobbit who lived in his Hobbit hole and never went for adventures, at last Gandalf the wizard and his Dwarves persuaded him to go. He had a very exiting (sic) time fighting goblins and wargs. At last they get to the lonely mountain; Smaug, the dragon who guards it is killed and after a terrific battle with the goblins he returned home – rich!

This book, with the help of maps, does not need any illustrations it is good and should appeal to all children between the ages of 5 and 9.”

The Hobbit by JRR TolkienThe book was an instant success thanks to glowing newspaper reviews (The Manchester Guardian wrote ‘The quest of the dragon’s treasure  – rightfully the dwarves treasure – makes an exciting epic of travel, magical adventures, and – working up to a devastating climax, war. Not a story for pacifist children. Or is it?’) and has never been out of print. While embarking on the sequel, The Lord of the Rings, is a pretty daunting task, The Hobbit is still funny and exciting and highly recommended to that clichéd group – children of all ages.

October

The audience at Warner’s Theatre in New York on 6 October 1927 knew they were going to see an exciting new movie, but none of them could have predicted that motion pictures would never be the same again. The Jazz Singer was the first feature film with synchronised singing – no dialogue had been planned but the star, Al Jolson, couldn’t resist adlibbing on set and his ‘Wait a minute, you ain’t heard nothing yet’ (in fact, his stage catchphrase) has electrified audiences ever since.

The film was a huge hit making over $2,000,000 (having cost only $400,000) and Jolson became an international star. The movies didn’t look back and within three years, silent film was a thing of the past.

The Jazz singer posterTo be honest, seen now, the film (about a Jewish boy who defies his father to sing jazz) is slow, sentimental and creaky, and the less said about Al Jolson’s penchant for blackface the better, but it’s worth checking out his performance to see the sort of charisma that sold out Broadway theatres for 20 years.

You can also see how fan magazines reported it at the time by checking out the Lantern site – a fantastic archive of Hollywood magazines that will keep film buffs busy for days…

November

As of 2015 there were 5640 female clergy in the Church of England (with 14,820 men) and it’s predicted that women will make up 43% of the clergy by 2035. Yet the General Synod only voted to allow women priests (against fierce opposition from conservatives) on 25 November 1992. Now they are central to the life of the Church of England  and most of their opponents have been won over. Some of this can, of course, be attributed to The Vicar of Dibley with Dawn French as the eponymous lady priest, but they’re now so much part of the landscape that even Ambridge, home of the Archers has had a woman vicar.

December

3 December will be the 50th anniversary of the first heart transplant operationperformed by the South African surgeon Christian Barnard. The first patient, Lewis Washkansky, died 18 days after the operation (though he was  able to walk and talk after the transplant). The second patient to receive a heart was a baby who sadly didn’t survive the operation, but the third patient, Philip Blaiberg lived for another nineteen months. Six months later, in May 1968, the first British heart transplant took place at the National Heart Hospital in  Westmoreland Street, Marylebone. Now about 3,500 heart transplants take place each year and 50% of patients live for at least 10 years. So while none of us want one, it’s good to know they’re available.

Christiaan Barnard

You can find out more about these events and many more in our 24/7 library and of course the in the libraries themselves. Happy 2017!

[Nicky]

Interesting times (1)

As 2016 draws to a close, we have probably all read our fill of celebrity obituaries. Many of us will also have seen other, more local or personal losses. While the argument rages on about whether this was indeed an unusual year or just appeared to be so, we’re likely to have found ourselves thinking or wondering about some of the people whose deaths have been reported in the news – people we’ve heard of, people we’ve not (but feel we should have), and people whose summarised lives turn out to be a whole lot more interesting and varied than we originally thought.

If you want to find out more about a person and their life, use the library. Below, librarian Owen uses Fidel Castro as an example to show the amazing resources Westminster Libraries members have at their fingertips for researching history and biography, but you could apply the same principles to find out more about any of the people below, lost in 2016:

Owen writes:

We recently saw the death of former Cuban leader and revolutionary Fidel Castro. He was seen in death – as he was in life – as someone to celebrate and support, but also someone to despise and oppose, a great leader or a terrible dictator. We can look at how his death was met in newspaper stories, obituaries and images from around the UK (eg: through NewsBank) and around the world (eg: through Library Press Display which includes some newspapers from Florida).

However, your delve into newspaper articles does not have to end there. Why not look back further? Newsbank goes back a good 30 years for a start. But go back further still and you will find yet more. Have a look in The Times Digital Archive; you will find it interesting to see how events in Castro’s life unfolded eg: 1956 saw a failed revolt (the final revolution came in 1958/59). Ironically, considering some of the celebrations recently in Florida we see that on 12 November 1958 people were caught attempting to send Fidel Castro arms to support the uprising.

Don’t stop there though, have a look as well in the Guardian and Observer archive and continue on to the missile crisis (1962 – you can search by date on all databases). In 1968 it begins its article Ten years of Fidel Castro with

‘It’s hard to believe that Fidel Castro’s regime has now been in power for ten years.’

All this can be found via our Online Resources: Newspapers section accessible in any Westminster Library and from home with a Westminster Library card. The newspapers are a great way to get started, but – depending on the person’s field of activity and nationality – take a look too at the Quick Reference, Art & Design (especially Oxford Art), Biography or Music & Performing Arts (especially Oxford Music Online) sections. You never know what you might find!

[Owen]

Read all about it! The Observer

“It is a fact, however disgraceful to human nature, that an old harpy living in a  court near Exeter Change has not less than five little girls in her hovel who she dresses out with all the frippery of meretriciousness and upon whose prostitution she supports an uncertain and even wretched existence – yet such is the force of habit she prefers wickedness and misery to honest labour and competency”

Not the opening of a Gothic novel but a story in the first ever edition of The Observer – the oldest Sunday newspaper in the world – first published on 4 December 1791, 225 years ago last Sunday. As you can see, even then, scandal was what people wanted to read with their Sunday breakfast – one wonders how many people went straight to Exeter Change in order to check the veracity of the piece…

Other stories in the first issue included the Duke of Bedford laying the foundation stone for the new Theatre Royal Drury Lane (it burned down in 1809) and a gentleman who died after being gored by ‘a tormented over-driven ox in Cheapside’. Plus the tantalising snippet that

“The unfortunate man who was driven so inhumanly by the mistaken mob a few days ago proved to be, not Oxley the mail-robber, as was supposed but a poor lunatic who had escaped from his keeper.”

They had a major coup in 1812 when their reporter Vincent Dowling was present at the assassination of the Prime Minister Spencer Perceval in the lobby of the Houses of Parliament and was able to give a first-hand account:

‘The deed was perpetrated so suddenly that the man who fired the pistol was not instantly recognized by those in the lobby, but a person passing at the moment behind Mr Perceval promptly seized the pistol and which the assassin surrendered without resistance.’

The ‘person’ was in fact Dowling himself.

While The Observer is now regarded as a Liberal newspaper, it was anything but in its early days and was the last newspaper to accept subsidies from the secret service. It still maintained some editorial independence though, defying an injunction to report on the trial of the  so-called Cato Street conspirators. The proprietor William Clement was fined the enormous sum of £500, which he refused to pay, but the precedent was then set for newspapers writing about ongoing cases.

Another precedent was set in 1891 when The Observer employed its first woman editor, indeed its only woman editor to date. Rachel Beer was not just the first woman to edit the Observer, she was the first woman to edit any national newspaper. She was born into the wealthy Sassoon family (the poet Siegfried Sassoon was her nephew) and married Frederick Beer, whose father had bought The Observer in 1870. Frederick suffered from ill-health and Rachel eventually took over as editor.

Painting of Rachel BeerIn 1895 she bought The Sunday Times and edited this too for several years, becoming the first and perhaps the only person to edit two rival Sunday papers at the same time. As an editor her major coup was exposing the forgery at the heart of the Dreyfus case.

Beer continued to write for both papers, having leader columns written in indecipherable handwriting delivered at the last minute by her footman, no doubt much to the annoyance of the sub-editors.

Another pioneering woman who worked for The Observer was CA Lejeune, employed as a film critic from 1928 (having previously worked for the Manchester Guardian) at a time when it was fashionable not to take the art form seriously. Other celebrated writers for the paper have included the spy Kim Philby, who used his post as their Middle East editor as cover for his work as an MI5 agent, and George Orwell who reported on the end of the war from the Hotel Scribe in Paris.

You can look back at past issues of The Observer and read articles by Vita Sackville-West, Arthur Koestler, Kenneth Tynan and many others – the full Observer archive is available online with your Westminster library card. And very fascinating they are too! Don’t forget we also have the archives of The Guardian, the Times, the Illustrated London News and many other periodicals.

[Nicky]