Tag Archives: Radio 4

Interesting times (2)

December 2016 version of Sgt Pepper cover, by Chris Barker There’s an ancient Chinese curse or proverb: “May you live in interesting times…”

Well, there isn’t actually (it dates all the way back to the politician Austen Chamberlain in 1936) but I think we can all agree that 2016 has been… interesting!
Most of us would probably wish that 2017 is a little less so.

While Westminster Libraries can’t promise world peace or political stability, we can promise you some interesting anniversaries and the resources for interested people to carry out further research.

January

The year kicks off in January with the 75th anniversary of Desert Island Discs, which was first broadcast on 29 January 1942. It continues to this day with guests (rather tweely known as ‘castaways’) being asked to discuss the eight pieces of music they would take to a desert island. Later on, guests were allowed to choose a book and a luxury too. The first castaway was the ‘comedian, lightning club manipulator, violinist and comedy trick cyclist’, Vic Oliver. Oliver was not only a major star on the radio but also the son-in-law of Winston Churchill (something Churchill wasn’t too thrilled about, though Oliver never traded on the relationship). Though this episode doesn’t survive in the BBC archives, many hundreds of others do and  are available to listen online or download as podcasts. The earliest surviving episode has the actress Margaret Lockwood as a guest and other castaways include seven prime ministers, dozens of Oscar winners, a bunch of Olympic medallists, a few Royals and several criminals.

February

19 February brings the 300th anniversary of the birth of the actor, playwright and theatre manager David Garrick. Though he was a native of Lichfield (and former pupil of another Lichfield resident-turned-London-devotee, Samuel Johnson) by the age of 23, Garrick was acclaimed as the greatest actor on the English stage. He was a noted playwright but most famous for his Shakespearean roles – though he was not averse to ‘improving’ on the text – his adaptations included a Hamlet without the funeral of Ophelia and the need for the gravediggers, a ‘King Lear’ without the Fool and a Cordelia who lives on, an interpolated dying speech for Macbeth and a scene between the two lovers in the tomb before they die in ‘Romeo and Juliet’. Be honest – who wouldn’t want to see those? He ran the Theatre Royal, Drury Lane for nearly 30 years and he is now commemorated by a theatre and a pub (with Charing Cross Library neatly sandwiched in between).

March

1717 wasn’t just a significant year in the history of ‘legitimate’ theatre. 2 March that year saw the first performance (at the Theatre Royal, Drury Lane)  of The Loves of Mars and Venus by John Weaver, generally regarded as the  first ballet performed in Britain. While there had been English masques and French ballets before this, Weaver was the first person to tell a story through the medium of dance without the need for songs or dialogue. Weaver was the son of the dancing master at Shrewsbury School (public school curricula must have been rather different in the 1600s).

Mrs Hester BoothIn 1703 he had staged (at Drury Lane) a performance called The Tavern Bilkers, usually regarded as the first English pantomime (he described it as “the first entertainment that appeared on the English Stage, where the Representation and Story was carried on by Dancing Action and Motion only”) but it was The Loves of Mars and Venus (the choreography of which survives) which established Weaver as the major figure in English dance until the twentieth century. Venus was played by Hester Santlow (shown dressed as a harlequin), one of the leading ballerinas of the day, who created many roles for Weaver.

April

Readers of a certain age will remember adverts for Memorex tapes (other brands are available) in which a singer shattered a glass with a high note and the trick was repeated when the tape was played back. Depending on exactly how certain your age is, you may have identified the singer as the great Ella Fitzgerald whose centenary is commemorated on 25 April 2017.

Growing up in a poor district of New York and orphaned in her early teens, Ella spent time in a reformatory but soon escaped and began to enter show business via talent competitions and amateur nights, becoming an established band singer. At the age of 21 she recorded a version of the children’s nursery rhyme A Tisket A Tasket which went on to sell over a million copies. She went on to become one of the greatest of all jazz singers, developing her own idiosyncratic style of ‘scat singing’. All through her career she fought prejudice, refusing to accept any discrimination in hotels and concert venues even when such treatment was  standard in the Southern USA.

You can listen to some of her greatest recordings via the Naxos Music Library and learn more about her career in Oxford Music Online (log in to each with your Westminster library card number).

May

May Day has long been a festival associated with dancing and celebration and more recently with political demonstrations. But 1 May 1517 has become known as Evil May Day. Tensions between native Londoners and foreigners lead one John Lincoln to persuade Dr Bell, the vicar of St Mary’s, Spitalfields to preach against incomers and to call upon “Englishmen to cherish and defend themselves, and to hurt and grieve aliens for the common weal.”. Even though the Under-Sherriff of London (none other than Sir Thomas More)  patrolled the streets, a riot broke out when they tried to arrest an apprentice for breaking the curfew. Soon afterwards, a crowd of young men began to attack foreigners and burn their houses. The rioting continued throughout May Day – fortunately, while some houses were burned down there were no fatalities. More than a thousand soldiers were needed to put down the riot. Lincoln and the other leaders were executed, but most were spared at the instigation of Cardinal Wolsey, who according to Edward Hall

‘fell on his knees and begged the king to show compassion while the prisoners themselves called out “Mercy, Mercy!” Eventually the king relented and granted them pardon. At which point they cast off their halters and “jumped for joy”.’

Sadly this was not the last outburst of anti-foreign feeling in London’s history but such incidents are thankfully rare.

June

Harry Potter and the Philosopher’s Stone by JK RowlingA happier event took place on 30 June 1997 with the publication of Harry Potter and the Philosopher’s Stone by JK Rowling.  It’s hard to remember a time when we didn’t all wish we’d received our letter to Hogwarts instead of going to a boring Muggle school.

But we all know about Harry so let’s move on.

July

To 12 July and first documented ride, in 1817, of the ‘dandy horse’ or ‘running machine’ or, to you and me, a bicycle without chains or pedals. This was the first means of transport to make use of the two-wheel principle and the creator was Baron Karl Drais , perhaps the most successful inventor you’ve never heard of, and he managed an impressive 10 miles in an hour. While it looks pretty clunky by today’s standards, Drais was inspired by the Year without a Summer of 1816 when crops failed and there weren’t enough oats to feed horses.

Dandy horse

Readers of Georgette Heyer’s Regency romances may remember thar Jessamy in Frederica was very proud of his skill with the ‘pedestrian curricle’. The Observer newspaper was enthralled by the invention of  ‘the velocipede or swift walker’ claiming in 1819 that, on a descent, ‘it equalled a horse at full-speed’ and suggesting that

‘on the  pavements of the Metropolis it might be impelled with great velocity, but this is forbidden. One conviction, under Mr Taylor’s Paving Act, took place on Tuesday. The individual was fined 2/-.’

When he wasn’t inventing bicycles Karl Drais was making an early typewriter, a haybox cooker and a meat grinder.

And on 27 July 1967, we note the 50th anniversary of the decriminalistion of homosexuality.  This will be celebrated with many events throughout the year such as this one at Benjamin Britten’s home and others at various National Trust properties.

August

Most of us can probably remember what we were doing on 31 August 1997 when we heard of the death of Diana, Princess of Wales and she will be on many people’s minds as the 20th anniversary of this event approaches.

A slightly more auspicious event took place on 17 August 1917, when the two war poets Wilfred Owen and Siegfried Sassoon met at the Craiglockhart War Hospital, an event written about by Pat Barker in her novel Regeneration, as well as Stephen Macdonald’s play Not about Heroes. Owen wrote two of his most beloved poems – Dulce Et Decorum Est and Anthem for Doomed Youth while he was in hospital (he also edited The Hydra, the patients’ magazine) and was tragically killed the following year at the very end of the war. Sassoon survived the war and wrote about his hospital experiences in the autobiographical novel Sherston’s Progress. You can read more about the lives of Owen, Sassoon and the other war poets in the Oxford Dictionary of National Biography (log in with your library card).

Wilfred Owen 

September

Another literary anniversary is upon us on 21 September, when we note the publication of one of the bestselling fantasy books of all time – The Hobbit by JRR Tolkien, about a small, shy creature who becomes involved in a quest for a dragon’s hoard. It was offered first to the publisher Stanley Unwin who asked his 10 year old son Raynor to review it for him,

Bilbo Baggins was a Hobbit who lived in his Hobbit hole and never went for adventures, at last Gandalf the wizard and his Dwarves persuaded him to go. He had a very exiting (sic) time fighting goblins and wargs. At last they get to the lonely mountain; Smaug, the dragon who guards it is killed and after a terrific battle with the goblins he returned home – rich!

This book, with the help of maps, does not need any illustrations it is good and should appeal to all children between the ages of 5 and 9.”

The Hobbit by JRR TolkienThe book was an instant success thanks to glowing newspaper reviews (The Manchester Guardian wrote ‘The quest of the dragon’s treasure  – rightfully the dwarves treasure – makes an exciting epic of travel, magical adventures, and – working up to a devastating climax, war. Not a story for pacifist children. Or is it?’) and has never been out of print. While embarking on the sequel, The Lord of the Rings, is a pretty daunting task, The Hobbit is still funny and exciting and highly recommended to that clichéd group – children of all ages.

October

The audience at Warner’s Theatre in New York on 6 October 1927 knew they were going to see an exciting new movie, but none of them could have predicted that motion pictures would never be the same again. The Jazz Singer was the first feature film with synchronised singing – no dialogue had been planned but the star, Al Jolson, couldn’t resist adlibbing on set and his ‘Wait a minute, you ain’t heard nothing yet’ (in fact, his stage catchphrase) has electrified audiences ever since.

The film was a huge hit making over $2,000,000 (having cost only $400,000) and Jolson became an international star. The movies didn’t look back and within three years, silent film was a thing of the past.

The Jazz singer posterTo be honest, seen now, the film (about a Jewish boy who defies his father to sing jazz) is slow, sentimental and creaky, and the less said about Al Jolson’s penchant for blackface the better, but it’s worth checking out his performance to see the sort of charisma that sold out Broadway theatres for 20 years.

You can also see how fan magazines reported it at the time by checking out the Lantern site – a fantastic archive of Hollywood magazines that will keep film buffs busy for days…

November

As of 2015 there were 5640 female clergy in the Church of England (with 14,820 men) and it’s predicted that women will make up 43% of the clergy by 2035. Yet the General Synod only voted to allow women priests (against fierce opposition from conservatives) on 25 November 1992. Now they are central to the life of the Church of England  and most of their opponents have been won over. Some of this can, of course, be attributed to The Vicar of Dibley with Dawn French as the eponymous lady priest, but they’re now so much part of the landscape that even Ambridge, home of the Archers has had a woman vicar.

December

3 December will be the 50th anniversary of the first heart transplant operationperformed by the South African surgeon Christian Barnard. The first patient, Lewis Washkansky, died 18 days after the operation (though he was  able to walk and talk after the transplant). The second patient to receive a heart was a baby who sadly didn’t survive the operation, but the third patient, Philip Blaiberg lived for another nineteen months. Six months later, in May 1968, the first British heart transplant took place at the National Heart Hospital in  Westmoreland Street, Marylebone. Now about 3,500 heart transplants take place each year and 50% of patients live for at least 10 years. So while none of us want one, it’s good to know they’re available.

Christiaan Barnard

You can find out more about these events and many more in our 24/7 library and of course the in the libraries themselves. Happy 2017!

[Nicky]

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A ‘Twist’ in the tale – Dickens and the Cleveland Street Workhouse

Portrait of Dickens after he had become a famous author. Image property of Westminster City Archives.

Portrait of Dickens after he had become a famous author. Image property of Westminster City Archives.

There’s little more satisfying than to hear how research into Westminster in years gone by helps people make a difference to the city today.

If you caught Radio 4’s Today programme on Friday morning (18 February 2011, 7.41am), you may have heard historian Ruth Richardson being interviewed on a campaign to save the Cleveland Street Workhouse. The Workhouse is of considerable historical importance; a rare survival from the Georgian era, the old workhouse of St Paul Covent Garden was built in 1777, pre-dating the Brighton Pavilion. However, it is currently under threat of demolition as part of a ‘brownfield’ site development project.

Ruth has played a major role in strengthening the campaign through finding a new link between Charles Dickens and the Workhouse – a link that was discovered by delving into archives and historic collections.

It was already known that Charles Dickens was associated with the Workhouse in later life, through his correspondence with its medical officer, Joseph Rogers. However, it was not clear that Dickens had been strong associations with the Cleveland Street institution decades earlier, when he had written his famous exposé of the horrors of the workhouse system in Oliver Twist.

Hungerford Stairs, near the site of a blacking factory where Dickens worked as a boy. Image property of Westminster City Archives.

Hungerford Stairs, near the site of a blacking factory where Dickens worked as a boy. Image property of Westminster City Archives.

New historical evidence unearthed by the Cleveland Street Workhouse campaign team suggests that Dickens may in fact have had a personal knowledge of this particular workhouse from an early age. It was known that Dickens and his family had lived at 10 Norfolk Street in Marylebone when they first came to London in 1815, but numbering and street name changes had hidden just how near he was living to the workhouse. Now the influence of the workhouse on Dickens’ work has become even clearer: searching historic maps of London has revealed that the flat above the grocer’s shop at 10 Norfolk Street was a mere 9 doors away from the formidable Cleveland Street Workhouse!

Dickens’ father was always struggling to keep his family above the poverty line, and as a young boy Charles would have been well aware of the threat of life in the Workhouse. During his childhood he had also worked at Warren’s Blacking Factory, situated within the parish of St Paul Covent Garden. Undoubtedly a number of his fellow workers would have experienced the terrors of workhouse life first-hand, and may well have shared their stories with the young Dickens.

The evidence suggests that the workhouse scenes in Dickens’ Oliver Twist were inspired by his early life in the shadow of the Cleveland Street institution.

You can find out more about Dickens, the workhouse and the campaign to save it on the Cleveland Street Workhouse website. It’s a nice example of how archives aren’t just about the past, but about how we relate to the London we live in today.

Do some historical detective work yourself by visiting us at Westminster City Archives.

[Judith]

Come on in – the “liquid of which seas, lakes, and rivers are composed” is lovely!

About the online Oxford English DictionaryWho’d have thought it? When online reference resources were in their infancy, Westminster Libraries were offered the chance to subscribe to the Oxford English Dictionary.

Casting a beady eye on the 20 volumes of the print version, causing the shelves to bow slightly at Marylebone Library, I wasn’t convinced that it would be a big ‘seller’ for us. Still, it was not too expensive, and we could get rid of it quite soon. What a knuckle-head! (“noun, a slow or stupid person”).

The fusty, musty, just-for-nerds sad case turns out to be a much-loved companion and trusted tool. We love it so much that Radio 4 visited us in September to talk to us about it – listen again on the BBC iplayer (the OED bit starts about 6 minutes in).

The OED has consistently been one of the most-used of our online reference resources (available exclusively for library members). It’s addictive: users have been lost for weeks, sucked into a magical world of definitions and etymology. And now it has got worse, as it’s been revamped.

The dictionary (“noun, a book which explains or translates, usually in alphabetical order, the words of a language or languages…”) is still at the core of the website, but the whole edifice now includes much more exploration of the language. I cherry-picked a few words from the Chief Editor, setting out his stall (be careful – you have to pay attention for this bit!):

We’ve tried to tilt the site more towards the English language than towards the dictionary as an end in itself. Search results move from simple lists to visualizations/timelines. They can also be filtered according to a number of categories, allowing you to start off with big numbers (e.g. all English words derived from Italian), and reduce them by steps down to small, significant subsets (e.g. all English words derived from Italian from the field of Music which are first recorded in English in the 18th century). That’s 167 words, starting with adagio.

So now you know. If you just want a quick definition, dart in, grab it and scuttle out again. If you want a wallow in the language, stick around, check out the side turnings, and enjoy (“verb, to be in joy, or in a joyous state; to manifest joy, exult, rejoice”).

[David]