Theatre Archives: Henry Irving, a Victorian Superstar

Henry Irving (1838-1905) is a name we spot frequently in our theatre collection at City of Westminster Archives. A star of the Victorian stage, he gained both national and international acclaim during his long career spanning 50 years. He received a knighthood from Queen Victoria in 1895 for his services to the stage.

Henry Irving as Mathias in a scene from ‘The Bells’. Henry Irving: the Actor and his World by Laurence Irving; p192 circa 1871.

Irving worked hard, juggling paid work as a clerk to a merchants in London, to follow his acting dream. Despite opposition from his salesman father and strict Methodist mother, he made his London stage debut in the 1860s. He rose to fame with his portrayal of the character Mathias in the English gothic melodrama “The Bells” which ran for 151 performances from 1871 at the Lyceum Theatre.

Irving’s involvement with The Lyceum Theatre carried on for many years and he took over as actor-manager in 1878 where he remained until 1902. In 1878 he hired Ellen Terry (1847-1928), another Shakespearean actor like himself, as the company’s leading lady. In 1875, prior to her employment at the Lyceum, she performed the role of Portia from “The Merchant Of Venice” at the Prince of Wales’ Theatre. Oscar Wilde saw her in the role and was so impressed by Terry’s performance he was compelled to write a sonnet called Portia (To Ellen Terry).

Irving and Terry were known for their stage chemistry and one of their many memorable performances was Irving’s own production of “Macbeth” in 1888 at The Lyceum where Terry played Lady Macbeth opposite Irving’s Macbeth. Their working partnership was a great success both artistically and financially and included an America Tour in 1893.

Henry Irving and Ellen Terry on stage at the Lyceum Theatre in the late nineteenth century. Theatre Collection-Lyceum Theatre

Henry Irving developed a lifelong friendship and working relationship with author Bram Stoker who Irving employed from 1878 to 1898 as his Acting and Business Manager at The Lyceum. The pair met after Stoker saw Irving perform in Dublin in around 1877. After a rave review by Bram Stoker regarding Irving’s portrayal of “Hamlet”, Irving invited Bram Stoker to a dinner party where they cemented their friendship. Bram Stoker began writing his novel Dracula in 1890 while working for Irving and it has been suggested that Stoker took inspiration for the description of Count Dracula’s character and physical appearance from Irving.

Irving in the role of “Vanderdecken” in around 1878. Photograph by H Van der Weyde. Reproduced in The Life of Henry Irving by Austin Brereton; Vol 1, page 242

Irving died suddenly on 13 October 1905. His death shocked and saddened the nation. Having carried out many stage tours through his lifetime there were international stage tributes paid when he died. The Times reported “telegrams of sympathy have also been received from distinguished people of every position and degree at home and abroad”. His ashes are buried in Westminster Abbey.

Henry Irving’s acting legacy continued long after his death. He was succeeded by his children including his eldest son, Henry Brodribb Irving (1870-1919), who followed in his father’s footsteps as a stage actor and actor-manager. His credits included some re-stagings of his father’s best performances including “The Bells”.

For more images from our collection featuring Henry Irving then please visit our City of Westminster Flickr page.

Black History in Westminster

To celebrate Black History Month, Westminster Archives have put together a map, plotting locations in the City which tell us more about our black history. You can explore the map to find out about some of the fascinating people and events which helps us learn more about both black Londoners and those who visited the capital through the course of their lives.  

Black History in Westminster map

Here are a few highlights of stories from the map. If you have any suggestions of locations and people we can add to it, please email us at  

Amy Ashwood Garvey – 50 Carnaby Street 
In 1936, 50 Carnaby Street was the location of Florence Mills Social Parlour, a jazz club founded by Amy Ashwood Garvey. As well as being a female black business owner, Amy was highly active in politics and feminism. 

During her time in London she helped found both the Nigerian Progress Union and the International African Friends of Abyssinia. When she opened the Florence Mills Social Parlour, it became not only an incredibly important place for black music, but a place which drew in supporters of Pan-Africanism and helped bring feminism in to the movement.  
She travelled around the world but in visits back to Britain she chaired the 5th Pan-African conference in Manchester, helped establish the Afro Peoples Centre in Ladbrooke Grove, co-founded the Association for the Advancement of Coloured People following the Notting Hill race riots, and chaired the enquiry held after the racially motivated murder of Kelso Cochrane.   

Henry Sylvester Williams’ plaque, Church Street

Henry Sylvester Williams – Church Street 
Williams was born in Trinidad and after moving to London to continue his legal studies began speaking widely on Trinidad and against colonial structure, promoting ideas of protection and support for all people of African descent. He wanted to create a world where black people would have their own voice and have their interests protected.  
In 1900 he organised the first ever Pan African Conference, held at Westminster Town Hall (now Caxton Hall). After extensive travels around the world to set up branches of the Pan African Association he returned to London. In 1906 he was elected on to Marylebone Borough Council for the Church Street Ward, becoming the first black councillor in Marylebone, and the first in the modern City of Westminster. He was also among one the first black holders of public office in Britain. 

Ken “Snakehips” Johnson

Ken “Snakehips” Johnson- Café de Paris  
Ken Johnson was an incredibly talented Jazz musician and leading figure in black British music in the 1930s.  In 1936 he established the first black band in Britain and he regularly appeared on BBC radio. Though his band’s line-up and name changed, Johnson’s fame grew and it helped him secure the residency at the Café de Paris, one of London’s most famous clubs. 
On the night of 8 March 1941, while performing ‘Oh Johnny, Oh Johnny, How You Can Love!’, two German high explosive bombs were dropped on the building and they fell right through to the dancefloor, tearing through the club. 
34 people were killed, including Ken Johnson and his saxophonist Dave “Baba” William. 80 more were injured and it took rescue crews three hours to work through the wreckage in the hope of finding survivors.   

Book Review: A House Through Time by David Olusoga and Melanie Backe-Hansen

A House Through Time is a recently published book that has been produced to accompany the very successful BBC2 series of the same name. As with the series, the book demonstrates how archival records can be used to find the all important details needed to uncover the human stories and secrets within the four walls of one single house. Interestingly, through the details of the lives of the mostly ordinary inhabitants of one house, the wider social and cultural issues of the day are also revealed. For this reason the book also functions well as an alternative history of Britain from within the major cities of Britain including London, exploring themes around slum housing, poverty and disease, industrialisation and the railways, class and crime. 

For anyone wishing to extend their genealogical research to include house histories, this book is an excellent place to start. It provides a thorough introduction and plenty of tips for navigating the many sources of information available in local archives such as national censuses, electoral registers, street directories, Land Registry documents and title deeds to name but a few. High quality online resources have opened up many possibilities for genealogical researchers in recent years so the section on online resources, including where to find historical maps, is also very useful.  

The book was authored by the programme’s presenter David Olusoga along with the renowned house historian Melanie BackeHansen who acted as consultant historical researcher for the series. Backe Hansen specialises in the social history of houses in the UK, including Westminster where she has carried out many house histories for properties in the borough using records from the archives. Archivist Gillian Staples recently interviewed her about the book and her experiences of carrying out historical research at City of Westminster Archives Centre 

Glimpses of Queen’s Park in 1936

01 Headpiece adverts
Adverts from the Queen’s Park Calendar, December 1936

Westminster City Archives holds a few editions of a monthly local community guide from the 1930s called The Queen’s Park Calendar. One from December 1936 gives some impressions of contemporary social life in the area.

02 Cover and contents
Front cover and contents of The Queen’s Park Calendar, December 1936

The calendar gave Queen’s Park residents local information on shops, civic and church events, the public library, public transport, postal collection times, the cinema, and sports and recreation.

A notice of the Queen’s Park library advises that “all residents of Queen’s Park may borrow books on the signature of any ratepayer”. The library was open every day and with generous hours.

03 Queens Park Public Library
Advert for Queen’s Park Library, The Queen’s Park Calendar, December 1936

Among a short list of new books acquired by the library are two that reflect anxieties about international relations: “War Over England.  Air attack, with incendiary booms to melt steel like tallow, calculated to stir public apathy” by L.E.O. Charlton; and “The Far East comes nearer.  To a little Japanese expansion, add equal portion Chinese territory, flavour with Russian propaganda, simmer gently and this is the result”, by H.H. Tiltman.

The two neighbourhood cinemas, the Pavillion, Kensal Rise and the New Palace, Chamberlayne Road, offered a mix of British and American fare, and fitting the festive season they included Cicely Courtneidge in “Everybody Dance” and Fred Astaire & Ginger Rogers in “Swing Time.”

Queen’s Park Rangers F.C., then in League Division Three (South), played two home fixtures over Christmas: on the 25th against Exeter City, 11am kick off; and on Boxing Day against Bristol City. With one day off, Rangers then travelled west for a return fixture with Exeter.

For those braving the tennis hard courts at the Paddington Rec and Queen’s Park, spots could be had for two shillings per hour.  The Rec’s cycling and running tracks could be used for training (running, four pence; cycling, six pence).

The Willesden & District Motor Club met every Tuesday evening at its HQ, the William IV pub on Harrow Road.  Afternoon recreational runs were held on Sundays, departing from the pub.

04 New Years Carnival Dance
Advert for an event at Porchester Hall, The Queen’s Park Calendar, December 1936

1937 was welcomed in with a New Year’s carnival dance at Porchester Hall, where “continuous dancing to two bands, 7.30 until 12.45” was to be enjoyed. Tickets five shillings at the door.

05 Tailpiece adverts
Adverts from the Queen’s Park Calendar, December 1936

Theatre Archives: The Royal Aquarium

The City of Westminster Archives Centre is home to a large and ever growing theatre collection. We regularly welcome donations from a range of donors including museums, other archives and individual theatre goers. We have an ongoing theatre cataloguing project which over the years has attracted many volunteers from the UK and overseas.

Spanning several centuries of London theatre history the collection comprises of theatre programmes, playbills, theatre cuttings albums, prints, theatre portraits, photographs and other theatre ephemera. Among the researchers who use this rich resource are theatre historians and authors as well as family historians researching theatre ancestors.

Every month we are going to share a post related to these fascinating and beautiful collections. This month we are looking at the Royal Westminster Aquarium, more commonly known as The Royal Aquarium. Initially opened in January 1876 as just an aquarium, it later opened its theatre which was known as the Aquarium Theatre. Located away from the central theatre district of the West End, The Royal Aquarium was located to the West of Westminster Abbey on Tothill Street.

A06A2590- Zaeo Triumphant
Zaeo Triumphant climbing the rope at The Royal Aquarium, 16 August 1890

This Victorian theatre was known for its daring and risque music hall, variety acts. No doubt these performances would have both thrilled and shocked their Victorian-era audiences.

Performers at The Aquarium included Zazel the aerialistand actor whose act was being shot from a cannon, the Strongest Man on Earth as well as other circus performers such as the acrobat Zaeo Triumphant.

George Leybourne was known for most of his career as Champagne Charlie after the title of one of his songs.

He was a Lion Comique, which was a type of entertainer that parodied the upper-class and were made popular by big Victorian music hall stars like Alfred Vance and G H MacDermott.

In this image of a song sheet we see a man, possibly Leybourne himself, lounging next to one of the fish tanks at the Royal Aquarium. Lounging at the Aq was the title of a song sung by George Leybourne, written by T L Clay and composed by Alfred Lee.

A06A2584- Lounging in the Aq George Leybourne


The words to Lounging at the Aq are as follows:

“Lounging in the Aq,
lounging in the Aq,
That against all other modes of killing time I’ll back,
Fun that’s never slack, eyes brown blue and black
Make me feel in Paradise while lounging in the Aq”


As the theatre was housed within the aquarium building, it seems fitting that the venue featured performances by aquatic performers such as the swimming expert William Beckwith. He performed regularly at the Aquarium and the playbill below shows a heroic looking Beckwith posing in a Victorian swimsuit.

A06A2589- Playbill advertising William Beckwith from 1882
William Beckwith was part of the Beckwith family of swimmers. His sister Miss Agnes Alice Beckwith, or simply Miss Beckwith, was a champion swimmer who came to fame for a six mile swim she undertook as a teenager in 1875 along the River Thames from London Bridge to Greenwich.
A06A2579 - Playbill for Professor Beckwith, swimming and diving entertainment given by Miss Beckwith and Willie Beckwith

The family of swimmers performed extraordinary feats of endurance and the siblings would often perform together as can be seen from the listing on the above playbill.

Among the remarkable list of feats Willie performed included eating two sponge cakes under water and smoking under water. Miss Beckwith’s performance included Waltzing, for which she is greatly celebrated and Undressing under Water.

Volunteers’ Week

Volunteers’ Week is a national celebration of the contribution millions of people make every year through volunteering.

At Westminster Archives we are lucky to have a wonderful team of volunteers, who have helped with a whole range of projects on our collections including research, indexing, cataloguing, education projects, and running events. There are also a large number of volunteers who have assisted our Conservator, Georgia, in our conservation studio.

This year some of our conservation volunteers have shared their motivations for volunteering and experiences with us.

We are so grateful for their time and look forward to welcoming them back to the archives in the future.

conservation volunteers4
Volunteers cleaning a map in the studio

Following retirement, I wanted to do something a million miles away from what I had been doing before (medicine). The opportunity came to volunteer in the conservation department of Westminster City Archive and without any previous experience I walked up to the fourth floor soaked and windblown from a sudden shower to meet the team. Nearly five years later, I still look forward to meeting Georgia and friends on Thursdays to clean, sew and repair the variety of documents that await our attention. Each time, I come away with another little piece of Westminster history in my head and a spring in my step. Thank you Georgia.

Mary Clarke


I started volunteering every Thursday at the archives last year. I didn’t really know what to expect and thought volunteers might just be dogsbodies while “real” staff did all the interesting work! That’s not the case at all. I was thrilled to find that Georgia encourages all the volunteers to be hands-on in learning how to clean and repair documents, some of which haven’t been seen for many many years. A few of them, like Victorian vestry letters, are frankly dull, but others like a collection of postcards sent to a young soldier on the Western front from a variety of different girlfriends, are touching and eye-opening. There is always something new and interesting to find out, which makes my volunteering experience really rewarding. I have always been interested in history, and at the archives history comes alive through the papers we work on. This voluntary work even inspired me to sign up for a paper conservation and bookbinding course.

Rachel Simhon

conservation volunteers3
Volunteers cleaning volumes in the studio


I enjoy volunteering in the conservation studio of Westminster Archives because of the variety of preservation programmes and for getting involved in preparing community engagement projects. So many of them during my time with Georgia. On Thursdays along with a big group of other volunteers, we are making joyful noises chatting and giggling, while we are working on the collections. It is a rewarding experience giving me a sense of life satisfaction by offering to the community.

Gloria Frankel


As a Friend of the WCA and having attended many events held by the Archives, I decided that I would like to volunteer with them in the conservation department. Georgia and the team are wonderful to work with and the atmosphere is very calm and educational. Georgia has taught me how to conserve documents and I started work on a collection of theatre programmes and magazines from the 1950’s. It was like stepping back in time and reliving part of my childhood, seeing photographs of the younger Bruce Forsyth and reading an article on an up and coming stage designer; Barbara Hepworth no less. I’ve watch as much older books and documents are lovingly preserved and then made available for the general public to view. Working in the department has given me new skills and knowledge in a very friendly and welcoming environment.

Johanne Enright

conservation volunteers5
Volunteers and public on the conservation roadshow which toured round our libraries

I have enjoyed being a paper conservation volunteer for a long time. Georgia’s regular volunteers are a friendly and inclusive group with a love of London and an interest in its history. We enjoy not only the work, but also in meeting new people, especially the international students who spend part of their UK study time learning paper conservation skills from Georgia who also holds a training refresher day each year for us to ensure we maintain standards and don’t get into bad habits. This past year we have worked on some fascinating material held by Westminster Archives, in particular the Parish records of St Margaret’s including the workhouse records. We cleaned and repaired the apprentice bonds, learning at the same time about the diverse trades the workhouse youth were sent to be trained in, for example I was surprised at the number of apprentice fishermen needed in Wandsworth. We also found that London children were sent as far away as Yorkshire to work in the mills, but were not forgotten as agents of the workhouse were instructed to interview the children on their own to find out truthfully how they were being treated. I’m looking forward to being able to return to volunteering and also attending again the interesting visits and tours organised by Georgia.

Sue Gardner


My volunteering in the conservation studio of Westminster Archives has been a positive experience. After my retirement, I have started volunteering as I love history and I wanted to give something back to the community; the experience has been truly rewarding! Georgia placed me in a suitable group with like-minded people, and since then, I have learned new skills through appropriate training, I have improved my English and made new friends. The environment is friendly, yet professional and I am happy to go back every week, to help preserve Westminster’s history! I love the social events and visits organised for volunteers. Many thanks Georgia!

Keiko Shiraishi

conservation volunteers8
Volunteers working on the theatre collection in the studio

My first experience at Westminster Archives was in a professional capacity as a practising architect researching the architectural drawings held by the archives. It was a natural progression when I became semi-retired to volunteer to assist with the collection especially as I am a resident of Westminster. I found as a volunteer that I was joining a team that was very inclusive, enthusiastic and managed by a dedicated team of professionals. I have worked on cleaning Westminster’s Theatreland as well as Parish records. The level of professionalism of the staff is of the highest order, with a deep interest in the collections they manage. Georgia looks after us with enthusiasm and patience when we have the inevitable query. She also organises stimulating visits which have included the Weiner Library and the Banqueting House. In conclusion volunteering at Westminster Archives has been fulfilling and interesting and I would recommend it to anyone with an interest in Westminster’s history.

Bryan Guttridge MA MSt (Cantab) Dipl.Arch. RIBA


I started volunteering at Westminster Archives a couple of years ago. Right from the beginning Georgia made me feel very welcome and wanted and we have become friends. I thoroughly enjoy my days at the archives Conservation Department and have learned a great deal from Georgia who is an extremely knowledgeable, enthusiastic mentor and teacher. It’s been a pleasure helping and I hope to continue for many years to come.

Mike Lofty


Thank you again to our wonderful volunteers!


City Limits: perambulating in Westminster

The boundaries of the present City of Westminster were set in 1965 when the boroughs of Paddington and St Marylebone were incorporated into the City.

A safe bet that you’re within the City’s precincts is if you have one of Westminster’s distinctive street nameplates in view.  Designed in 1967 by Sir Misha Black, these harmonious metal signs have become a design classic. Their popularity spawned a large trade in replica signs sold as souvenirs – which prompted the City Council to buy the copyright in 2007 from Sir Misha’s estate. Their reproduction is now permitted only under license from the Council.

Ordnance Hill Street Sign
Ordnance Hill street nameplate [staff photo] © Westminster City Council
The signs, with some small revisions and special editions (e.g. for those celebrating Theatreland and Chinatown), have almost entirely replaced the former street nameplates of the three old boroughs. A few of these do exist still and there is the odd street sign that predates the creation of the London Metropolitan Boroughs in 1901.

Even older symbols of name and place are parish boundary markers.  A surprising number survive in Westminster, some weathered and illegible, others preserving inscriptions of number, date, or parish name.  A cache endures undisturbed (and largely unnoticed) in the Royal Parks.   Boundaries of the parishes of St Margaret Westminster, St George Hanover Square, Paddington and Kensington all traversed some part of Kensington Gardens or Hyde Park; the parishes of St Marylebone and St Pancras met in Regent’s Park.

Boundary stones in Kensington Gardens and Hyde Park
Boundary stones in Kensington Gardens and Hyde Park [staff photos]
The boundary markers took various forms: stone and iron posts and pillars; flagstones; stone and metal tablets; and painted and lettered marks.  Survivors are a fraction of those that once existed. In 1856 there were 137 describing the united parishes of St Margaret and St John the Evangelist, Westminster; in 1882, St George Hanover Square counted 142; and there were 87 in the parish of Paddington in 1904.

Boundary markers were important because they described the geographical extent of parochial assets and responsibilities.  The main asset was the taxes paid by parishioners; the responsibilities the ecclesiastical and civic services parishioners relied upon. The parish vestries were therefore keen to mark and maintain the boundaries and guard against encroachment.

The signs and stones defined the route for the ceremony of the beating of the bounds, walking a circuit of the parish limits.  The origins of the ritual are ancient and were originally a means of asking for God’s protection and blessing.   Before the 1860s there were few accurate local maps that detailed parish boundaries, hence the practical need for the beating of the bounds.

Documented in the parish records held at Westminster’s Archives Centre are inventories of boundary markers, descriptions of the perambulations, and financial accounts relating to attendant festivities. The processions generally took place every 5-10 years, at Rogantide before Ascension Day.  They were well attended.

St Marylebone, Perambulation of Parish Boundaries, 27 June 1866, Order of Procession (Ref: Ashbridge 018 – Acc 1977)

There is evidence of young parishioners, commonly charity school boys, suffering certain indignities with the aim of soundly fixing in their memory the location of a boundary marker. The trials might include unannounced clouts around the head, being held upside down and shaken by the ankles, or even whipping. The accounts for the perambulation of St Marylebone in 1760 records:

“To sundry boys whipped at the Perambulation, 4s 10d”.

But also:

“For Dinner for the Charity Children: £3. 3s 0d”

The accounts for the same parish in 1828 list the costs for some of the merriment accompanying the perambulation:

“Wine 39 dozen (468) bottles: £121 1s 0d”
“Ale and porter”: £72 12s 6d”

The total expense associated with the day amounted to £453 0s 10d.  There were critics of this particular largesse and the parish vestry was reported to a committee of the House of Commons.  The next St Marylebone perambulation in 1836 appears to have been more abstemious: the total cost fell to £45 19s 9d.

As buildings and utilities were commonly constructed without respect for parish boundaries, markers were often to be found in unusual or inaccessible places. A St George Hanover Square description of its bounds in 1882 records: “then along the line of covered sewer behind Chester Cottages to an iron Tablet fixed on the face of North side of wall of Metropolitan District Railway station (Sloane Square Station), over the crown of the sewer near the engine house, at the point where the sewer crosses the railway”.  A map of the same year shows the boundary between St George Hanover Square and St James Piccadilly cutting through Buckingham Palace.

St George Hanover Square parish map, 1882
St George Hanover Square parish map, 1882, detail showing Buckingham Palace
(Ref: C765b)

When in the later nineteenth century Ordnance Survey maps plotted boundary stones, the practical value of beating the bounds fell and the practice declined. Today the ceremony continues to be observed in some parishes, commonly as a means of charitable fund-raising.

Beating the Bounds, St Clement Danes, 1930s
Beating the Bounds, St Clement Danes, 1930s (Ref: Acc 2232-49)

Do keep an eye out for these stubborn relics: they may conjure up the shadows of festive, marching beadles, bell-ringers, charity school children, and parish officers in their pomp.

Yorkshire Stingo

If you happen to search for the words “Yorkshire Stingo” on the archives catalogue WESTCAT  then a brief look at the 87 entries  that appear should be enough to convince you that it  was a colourful and exciting place to be.

This tavern, on the corner of Church Street and Marylebone Road, certainly hosted some lavish entertainment. Posters and newspaper cuttings advertise Grand Summer Fetes, concerts and vaudeville music hall shows.  Diversions ranged from the spectacular to the bizarre with, a newspaper cutting from 1837 advertising  a  Grand Balloon Fete  featuring a live animal being  dropped from a parachute.

The Yorkshire Stingo is believed to date from the 1600s, and was most aptly named, ‘Stingo’ which is old slang for strong beer. However the Stingo was far more than just a tavern; it was the multiplex of its time, boasting a tea garden, a bowling green and the Apollo Saloon Music Hall.

As well as being known as a house of entertainment it also holds an important place in the history of London’s public transport. It was the terminus of the first London omnibus.  We hold an illustration of this vividly ornate vehicle at Westminster City Archives, shown above. The catalogue description reads as follows:

‘George Shillibeer (1797-1866) introduced the first omnibus service to London on 4th July, 1829. For the price of a shilling, passengers could travel from the Yorkshire Stingo Inn in Marylebone to Bank in the City, attended to on the journey by conductors renowned for their courtesy’

I like to imagine the passengers  on the first London bus as a cheerfully inebriated crowd, regaling each other with raucous drinking songs as the horse drawn bus  trundles through the city streets.  This is my own fancy however, I can offer no historical evidence for the mood of the passengers or their behaviour.

After roughly 300 years of entertaining Londoners and slaking their thirst for strong ale, the Yorkshire Stingo was finally closed in the 1960s as part of demolition work prior to the development of the Westway flyover. One of the paintings below shows it in 1960 shortly before its demise.

Do you have memories of the Yorkshire Stingo?

One of the things I find most tantalising about the Yorkshire Stingo is that it still remains within living memory. There are people in London today who must remember drinking there.  If you are one of them, or if you know someone who is, we would love to hear from you. Perhaps you even have a photograph  taken at the Stingo that you would be happy to share with us. You can drop us an email at this address:

Want to see more pictures of the Yorkshire Stingo? Take a look at our our  Flickr book album: