Tag Archives: music library

Westminster Music Library is on demand

Did you know we have our very own music library? It is one of the largest public music libraries in the UK was founded in 1946 with the music collections of music critic Edwin Evans.

And now its collection is just one click away…

 

We are happy to announce that a new document supply service is now available from Westminster Music Library (WML). The library’s unique collection has been enjoyed by musicians, scholars, students and music lovers from all over the country for more than 70 years.

WML on Demand will make it possible for everyone to access our special collection and get the music they need whenever they want, from the comfort of their own home. Customers will be able to save time and money avoiding a long trip to the library. Copies of scores, books and articles can be supplied by post or email everywhere in the UK and abroad to anyone whose request has been accepted by the library.

Westminster Music Library On Demand charges for 2019/20 – there’s a handling fee £10 per item plus:

  • electronic delivery of a copy from print: £1 per page
  • paper copy by mail (UK delivery): £1 per page and £3 postage
  • paper copy by mail (overseas delivery): £1 per page and £5 postage

For Terms and Conditions and how to contact us, visit the Westminster Music Library page.

 

“A very great master of music”

Works by Henry Purcell at Westminster Music Library“A very great master of music”

This was the headline grabbing news in The Post Boy for 26 November 1695 on the death of composer Henry Purcell.

Recognised as one of the greatest English composers, Purcell was universally mourned.  But we wanted to celebrate his musical achievements rather than lament his death, not only as a prolific composer but also as a lifelong resident of Westminster.

So in time honoured fashion, the Westminster Music Library team – together with a little help from some excellent musicians from The Royal Philharmonic Orchestra, a bunch of our local residents and school children, Westminster City Archives, some generous support by Westminster City Council and Westminster Cultural Partnerships Team – arranged a day of workshops with a grand finale concert for family and friends. This was set to be a fun and exciting challenge for all.

But before the musicians tune up and the music gets going, who was this Purcell chap and what made him so very special?

Henry Purcell was born in Westminster in 1659 into a very musical family. His Father – Henry Senior – was a leading musician during the commonwealth and became a gentleman of the Chapel Royal.  Henry Junior attended Westminster School and was a chorister at the Chapel Royal, he wrote his first song at the age of 8 and by the time he was 20 he became organist at Westminster Abbey and continued to work there his entire life [read more].

He turned his hand to church music, instrumental music, music for the theatre, popular songs, and most notably he composed the first ever English opera, Dido and Aeneas, a story of love and destiny. And it was this very opera that we turned our attention to for our workshops. Let the show begin!

A brief summary of the plot…

Aeneas, a Trojan Prince, is shipwrecked in Carthage, where he is the guest of Dido, the Queen of Carthage. Aeneas falls in love with Dido and asks her to marry him, to which she agrees.

Meanwhile, evil witches are plotting Dido’s destruction, and devise a plan to trick Aeneas into leaving his beloved wife. The Sorceress conjures a storm to send the royal couple home from a hunting trip. On their way, an elf disguised as Mercury, the winged god, speaks to Aeneas and tells him he must leave Dido to follow his destiny and create a new Troy in Italy.

Believing it to be the will of the gods, Aeneas and his sailors prepare to leave. Dido is heartbroken at his departure, and the witches celebrate.

So boy meets girl, boy is distracted, leaves girl, girl dies of a broken heart. There’s a good deal of action involving storms, sailors, witches and hunting, and a whole Kleenex box worth of blubbing at the end. Lots of potential to get creative juices flowing for both musicians and participants.

From sailors’ hornpipes to cackling witches, crashing drums to eerie strings, everyone had their part to play. Our grand finale performances by both adults and children were incredibly polished considering what a short amount of time they’d all had to work on them. By the time we reached the sad finale there was hardly a dry eye in the house, lucky we’d thought to provide tea and biscuits…

Henry Purcell workshop with RPO musicians at Westminster Music Library, February 2017

[Ruth]

Cuttings remarks

Westminster Music Library's newspaper cuttings collectionRegular readers of this blog may recall Hold the front page, in which I described my work sorting through and analysing Westminster Music Library’s Edwin Evans Press Cuttings Collection. At the time of writing that particular blog entry, I had made my way through approximately 20% of the collection.

Now, over a year later, the task is complete, and I am in some position to report on my findings.

My specific task has been to create an elementary catalogue of this collection, alongside recording some basic details against each person’s entry: discipline, gender, etc.

While the eventual aim of the entire project – the creation of a fully searchable digital archive of this collection – remains unchanged, this was deemed a suitable preliminary task to assess the collection’s value and potential. It seems remarkable that, for all the years that the collection has been in the Music Library’s possession, it had not been catalogued until now. The reasons for this, one may suppose, relate to its relative inaccessibility and its sheer size – both of which are motivating factors in the decision to create a digital record of this underappreciated collection!

In my initial blog post a year ago, I offered some statistics on the content of the collection which may have been of interest to those wishing to understand the shape of the classical music culture of the early 20th century.  The final breakdown of discipline and gender of subjects included in the Evans Collection is mostly unchanged from my initial report, but the most up-to-date version is summarised here for those interested:

  • A significant majority (66%) of subjects are Performers. Of these Performers,
  • 37% are singers
  • 29% are pianists
  • 17% are string players
  • 5% are conductors
  • 12% are ensembles
  • Just 2% are wind players of any sort!
  • Composers represent 26% of subjects, while “Others” come in at just 9%.
  • 57% of all entries are Male, 32% female (the remaining 11% accounts for non-individuals such as ensembles and festivals).
  • 38% of all subjects are featured in The New Grove Dictionary of Music and Musicians (log in with your Westminster library card).

If you’re anything like me, a chart of percentages and statistics fills you with delight, but these data do indeed serve a useful purpose. The Evans Collection may be used to draw comparisons between historical music circles and today’s, to the interest of music fans and great benefit of historians. For example, over one-third of all performers reported on were singers, as opposed to a mere 0.2% being woodwind or brass players! (Speaking as a French horn player myself, I am grateful to report that today’s classical music culture is much more balanced in favour of wind players: trombonist Christian Lindberg, for example, or clarinettist Julian Bliss, are well-known names.)

My work with the Edwin Evans Press Cuttings Collection is, regrettably, finished for now. As previously mentioned, a digital archive of the collection is the goal, but for now, even with the publication of this catalogue, it is hoped that this will go some way in increasing the collection’s accessibility to all interested parties.

The newly-created catalogue is now available online, via the Westminster Libraries web pages – take a look.

Edwin Evans' Press Cuttings Collection online

[Jon]

Deck the shelves…

Opal Flutes at Westminster Music Library, December 2016So it’s that time of year again, the tree has gone up, we’ve covered the place in tinsel, the Santa hats have been dusted off and we’re starting to get sick of certain songs already… yes, Christmas time is officially upon us.

And it wouldn’t be Christmas without us sharing the many festive musical events we’ve held in Westminster Music Library since the start of December…

Opal Flutes at Westminster Music Library, December 2016

Opening proceedings with a cracking selection of winter themed arrangements were the fabulous Opal Flutes flute choir, a bunch of keen amateur musicians of all standards and from many walks of life; as well as the standard flute we’re all familiar with, they also boast players of piccolo, alto flute and bass flute. So popular are they that they even have music specially arranged for them, Jingle Bells never sounded so good.

Staff get into the swing of the under fives' Christmas party at Westminster Music Library, December 2016

Having bid them all the very best for the festive season, it was time for the Music Library staff to take over and present the madness and mayhem that is the Under Fives Christmas Party, as ever with the help of the indispensable Georgina from Victoria Children’s Library:

Father Christmas came to the under fives' Christmas party at Westminster Music Library! December 2016“Christmas just wouldn’t be Christmas without the Under Fives Christmas Party in the Music Library, it’s right up there with the Queen’s Speech”

And of course there was a visit from the one and only Father Christmas (we know who you are, and your secret’s safe with us…).

Our musical entertainment managed to conjure up a lot of happy faces although there were a few tears. It’s amazing how competitive parents can be when it comes to the race for getting a Christmas present for being “good all year”…

Carols with Knightsbridge Brass at Westminster Music Library, December 2016

Once Santa had departed to continue his gift distribution and we’d tidied up the tinsel, our thoughts turned to our grand finale Westminster Music Library Christmas event – a carol evening including mince pies and silly stories, and the amazing musical accompaniment of Knightsbridge Brass, a quintet of brass players from The Band of the Scots Guards.

Carols with Knightsbridge Brass at Westminster Music Library, December 2016A little different from Trooping the Colour, they were all game enough to trade in their bearskins for Santa Hats and provide exceptional musical back up for the carolling crowd – which reached a record breaking number this Christmas.

And that’s us done for this year’s Christmas celebrations in the Music Library, although we’re still eating the mince pies…

[Ruth]

Henry Purcell – local boy makes good

Henry Purcell sculpture by Glynn Williams 1995, Christchurch Gardens SW1In a library situated between Westminster Abbey and Buckingham Palace, there is a fine collection of music books and printed music – the one and only Westminster Music Library.

We’ve developed a bit of a reputation for obtaining money for all manner of music related activities, sometimes from the unlikeliest of sources…

So it was that following our MOD funded Joint Force Singers choral project last June, I started thinking about what Westminster Music Library could do next for the good citizens of the Borough. Maybe it was time to start looking a little closer to home for some inspiration.

Henry Purcell - portrait by John Closterman, 1660-1711

There have been hundreds of famous people who were born in Westminster, from Queen Anne to the First Earl of Zetland, but what about those who dedicated their lives to music? Composers like Thomas Busby, brothers George and Walter McFarren, all interesting but not exactly household names. I needed a show stopper, someone who had a real connection to Westminster throughout his life. How about the chap considered to be England’s greatest composer of the Baroque era, famously dubbed the “Orpheus Britannicus” for his ability to combine powerful English counterpoint with expressive, flexible, and dramatic word settings? None other than Henry Purcell.

Born in Old Pye Street, a stone’s throw from Westminster Abbey and Westminster’s present day City Archives, Purcell’s interest in music began when he was a young child. Even the street names in his neighbourhood are enough to get the imagination running riot: Abbey Orchard Street, Devil’s Acre, Thieving Lane.

Rumour has it that he started composing at the age of 9, his earliest work being the ode for King Charles’ birthday in 1670. The young Purcell attended Westminster School, was appointed copyist at Westminster Abbey in 1676, and landed the impressive post of Organist of Westminster Abbey by the time he was 20, in 1679. As organist of Westminster Abbey, he played at William and Mary’s coronation on 11 April 1689. An impressive pedigree for a local boy, and definitely someone we should be celebrating.

Henry Purcell: Chacony (MSS British Library)

While Purcell is well worth celebrating, I needed to think about how to do it – how could this celebration help residents to connect with their community, make the most of the local opportunities and assets available to them, and encourage them to celebrate Westminster’s unique historic heritage?

With musical expertise from our long-time partners the Royal Philharmonic Orchestra, the knowledgeable staff at Westminster City Archives (an Aladdin’s Cave of fascinating information, maps and photographs of the area), I put together a proposal which includes a series of intergenerational workshops for local residents and school children, resource packs for both adults and children, and an exhibition focusing on the life, music, history and heritage of Henry Purcell. And the beauty of Henry Purcell as far as Westminster Music Library is concerned? We have lots of books and scores in our collection with his name on them!

So we’re good to go for February 2017, with the generous help of the Westminster Cultural Partnerships Team and Westminster City Councillors – watch this space!

[Ruth]